This story was reprinted from from the College of Biological Sciences, written by Gregory Watry. More photos and other information .
Before delving into the world of endocrinology, Assistant Professor Rebecca Calisi RodrĂguez, Department of Neurobiology, Physiology and Behavior, wasnât following the path of a traditional scientist. Sheâd studied studio art and psychology at both Skidmore College and Boston College and thought she wanted to pursue the artistâs life.
âWhen I graduated, it was really difficult to make it in the art world, but I would get odd jobs here and there,â she said. âOne of them happened to be at the Dallas Zoo, where they commissioned me to paint this very large mural.â
It was there, among the zooâs fauna, that Calisi RodrĂguez discovered her love for scientific research. And it all started with a mysterious animal behavior.
The zoo commissioned Calisi RodrĂguez to paint a mural on the inner wall of the Wilds of Africa Education Center. It took her a couple of months to paint a vast African savannah scene, featuring lions, elephants, cheetahs, zebras and more, and Calisi RodrĂguez spent a lot of time at the zoo. During breaks in her work, sheâd explore her surroundings, a cup of tea in hand and the sounds of the wild as her personal soundtrack.
âThatâs when I came across the okapi, an animal that changed my career path forever,â she said.
Related to the giraffe, the okapi is visually striking. Its white and black striped legs give way to a chocolate-colored body; its long and articulate tongue, like a giraffe, probes about; and its ears are upright, as if always at attention. An endangered species, okapi are native to the tropical rain forests of the Democratic Republic of Congo. Though current population size estimates arenât reliable, the total population is believed to range between 10,000 and 50,000.
At that time, the Dallas Zoo was known as having one of the best conservation breeding programs for okapi, according to Calisi RodrĂguez.
A mystery at the zoo
But there was a problem. That year, the zooâs okapi stopped breeding. Baffled scientists enrolled volunteers to help decipher the mystery. Intrigued, Calisi RodrĂguez jumped at the opportunity. She wanted to touch the okapiâs velvety fur and bask in its exotic majesty. The reality was different.
âThey handed me a stick attached to a cup and said, âEvery time it relieves itself, we need you to collect the urine,ââ said Calisi RodrĂguez. âThat was my glamorous job. So I would collect okapi pee, record which animal it came from and rush it over to the lab.â
In the okapi urine, the scientists found increased levels of the hormone cortisol, which usually signals an animal is under stress.
âThis is important because cortisol helps the body utilize energy resources needed to deal with that stressor and survive,â said Calisi RodrĂguez. âAnd if you have too much cortisol for a chronic period of time, it can start to wear out different systems in your body.â
This includes the reproductive system, which couldâve explained the lack of breeding in the zooâs okapi population. So the question became, why were the Dallas Zooâs okapis stressed?
âEureka!â A life-changing moment
As Calisi RodrĂguez remembers it, around the time the okapi stopped breeding, the Dallas Zoo had installed a new manure handling system at the opposite end of the park. Designed like a conveyor belt, the new system carted manure away from the holding pens.
âThe scientists thought that the okapiâbeing very sensitive animalsâmight be detecting the vibrations from the machine and those vibrations might be stressing them out,â said Calisi RodrĂguez.
The zoo shut off the system. Eventually, the okapi cortisol levels decreased, and the animals started breeding again. For Calisi RodrĂguez, watching the scientists resolve the mystery became an âAha!â moment.
âI felt like I was Dr. Dolittle because the okapi were talking to us and telling us they were stressed out,â she said. âBut they were doing this through their hormones. I had to learn more.â
Inspired by the experience, Calisi RodrĂguezâs career ambitions shifted. She wanted to take on the role of a detective, uncovering mysteries of the natural world around her. She returned to school, earning an M.S. in biology at University of Texas, Arlington and a Ph.D. in integrative biology at the University of California, Berkeley. Despite the career shift, Calisi RodrĂguez never left her passion and training as an artist behind.
âThese experiences strengthened my ability to see the unseen and attack projects creatively,â she said. âAll scientists are in many ways artists, and all artists, scientists.â
A career through the ranks of science thus began. She worked as a National Science Foundation postdoc in neurobiology, physiology and behavior at UC Davis and UC San Diego and as a UC Presidentâs postdoc in psychology and environmental science and policy management at UC Berkeley. In 2014, her career took her to the East Coast, where she became an assistant professor of biology at Columbia Universityâs Barnard College. But an assistant professorship offer at UC Davis soon lured her back to West Coast.
Today, Calisi RodrĂguez can look back at her experience at the Dallas Zoo and directly relate it to her work. Part of her continuing research is understanding how stress and other environmental factors affect animal reproduction. She uses pigeons as a model organism, which help represent similar biological processes in all vertebrates, including humans.
Her own unorthodox path șìÌÒÊÓÆ” has convinced her that there is never a set roadmap to any career.
âThere is no specific path, only the path you make,â she said.